First, Bon Iver reimagines the entirety of last year’s SABLE EP by incorporating it as the prologue to their fifth studio album. Justin Vernon emphasizes the idea of transformation and renewal, suggesting that things may be chaotic but can always be reshaped and renewed. The new direction is filled with possibilities, yet fABLE manages to eliminate the fear and anxiety that often accompany change, instead embracing a sense of joy and clarity. Drawing inspiration from soul and R&B elements, Vernon’s approach feels immediate and purposeful, echoing his earlier call to „seek the light“ and continuing to explore new paths with his companions by his side.
1. THINGS BEHIND THINGS BEHIND THINGS
On the opening track of SABLE, Justin Vernon confronts his fear of change and begins to envision a future free from darkness. Despite the initial desperation in his lyrics, there is a shift towards hope and acceptance as he acknowledges the need for transformation and growth.
2. S P E Y S I D E
In „S P E Y S I D E,“ Vernon reflects on past mistakes and expresses a desire for redemption and forgiveness. The song’s simplicity and honesty leave room for optimism, suggesting that there is potential for personal growth and change.
3. AWARDS SEASON
„AWARDS SEASON“ explores the complexities of relationships and the challenges of acceptance and moving on. Vernon’s lyrics convey a sense of loss and confusion, yet also hint at the possibility of transformation and renewal.
4. Short Story
Transitioning from SABLE to fABLE, „Short Story“ introduces a sense of vibrancy and renewal, emphasizing the cyclical nature of healing and growth.
5. Everything Is Peaceful Love
With an ’80s inspired beat, „Everything Is Peaceful Love“ infuses soulful elements into the album, showcasing Vernon’s playful lyricism and infectious chorus.
6. Walk Home
„Walk Home“ delves into themes of intimacy and desire, creating a sultry and groovy atmosphere within the album.
7. Day One [feat. Dijon and Flock of Dimes]
Featuring Dijon and Flock of Dimes, „Day One“ exemplifies Bon Iver’s ability to blend gospel influences with intricate arrangements, resulting in a dynamic and uplifting track.
8. From
„From“ explores the complexities of relationships, balancing moments of ease with underlying conflicts and desires.
9. I’ll Be There
„I’ll Be There“ delivers a straightforward message of self-encouragement and humor, highlighting Vernon’s ability to infuse light-heartedness into his lyrics.
10. If Only I Could Wait [feat. Danielle Haim]
Featuring Danielle Haim, „If Only I Could Wait“ delves into themes of impatience and connection, showcasing the dynamic interplay between Vernon and Haim’s vocals.
11. There’s a Rhythm
Closing the album, „There’s a Rhythm“ takes its time to deliberate and unfold, echoing Vernon’s favorite track on the album and emphasizing understated yet deliberate storytelling. Es trifft nah Hause, mehr buchstäblich als jedes andere Lied auf dem Album, als Vernon darüber nachdenkt, Wisconsin für Los Angeles zu verlassen. Während die Instrumentierung zurückgezogen wird, erinnert er sich an den Besuch bei jemandem in Spanien: „Das war vor einem Monat und ein wenig / Und jetzt denke ich, dass du etwas Raum brauchst / Ich werde pausieren und mit einer Schaufel stehen.“ (Du würdest nie erraten, dass der Reim es zusammenfügt.) Es gibt immer noch Dinge hinter Dingen hinter Dingen, aber die Anordnung hier ist beruhigend, ebenso wie die ständige, merkwürdig falsch geschriebene.
12. Auf Wiedersehen
Und dann geht es weiter, der Rhythmus, so dass Vernon und Co. gezwungen sind, wie er in „If Only I Could Wait“ singt, „Ersatz lernen“. Glücklicherweise sind sie in dieser Form mehr als gut bewandert, der Mangel daran – denn so sehr man sich auch bemüht, Abschiede zu proben, sie werden immer improvisiert. Ihre Version flackert zwei volle Minuten lang auf, weniger das Wort selbst als das Lächeln, an dem man sich festhält, nachdem man sich abgewandt hat. SABLE, fABLE von Bon Iver